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Nearly
ten years ago, towards the end of 1998, we here at Photo
District News embarked on an endeavor we called PDN’s
“30 Under 30.” Sitting in a small room in our
then Times Square offices, Holly Stuart Hughes, Darren Ching,
former photo editor Mackenzie Green and myself gathered together
a large pile of promising portfolios and an even larger pile
of slides (yes, slides) and began the process of choosing
a list of 30 gifted photographers we felt would make an impact
on the photographic industry. I can still remember the excitement
we all felt at the start of this enterprise. With some assistance
and advice from peers in the photo community, we were very
pleased to present among that first congregation such future
luminaries as Taryn Simon, Jason Fulford, Jonathan Kantor,
Guy Aroch, and Norman Jean Roy. We were off to an excellent
beginning.
As the years advanced and slides went the way of laser discs,
we continued the concept, eventually eliminating the age requirement
in our fourth volume in 2002 (we wanted to include the large
contingent of people who took up photography later in life).
At that point we stopped requesting driver’s licenses
and started calling the issue the “PDN 30.”
Prominent names started piling up as high as the portfolios
we gathered each year—photographers like Justine Kurland,
Brian Finke, Balazs Gardi, Elinor Carucci, Vincent Laforet,
Gillian Laub, Hellen Van Meene, Gus Powell, Jonas Bendiksen
and Clare Richardson.
Years coasted by. Former PDN’s 30 members began
recommending their own assistants. International submissions
started multiplying. The Internet developed into just as powerful
a tool as our word of mouth nominations. Spending endless
hours in front of the computer, eternally sending e-prayers
to the great Google god, the Internet blossomed into this
wonderful, strange garden of photography. There we slipped
through one rabbit hole to another, discovering the likes
of Kathryn Cook, Anna Bauer, Erica Shires and Brian Ulrich.
This year we decided to give ourselves over fully to the realm
of computers, choosing the 2008 PDN’s 30 solely
from digital submissions. That room crammed with portfolios
and light boxes in Times Square seemed oh so far away.
This March we are featuring our tenth class of 30 rising
photographers. When we began this venture in 1998 we did it
with three basic ideas in mind: to provide emerging artists
with a sorely needed venue to exhibit their images, to create
a reliable resource for the photo community to seek out these
talents, and to engage other aspiring photographers in thinking
about what it takes to succeed in this profession. We hope
we have succeeded with all these goals.
During that collective step into the unknown ten years back
we were unsure about so many things: the process of doing
this, the longevity of this idea and the level of talent we
would unearth. Little did we know that a decade later we would
be celebrating not only the concept of the “30,”
but a list of 300 names that would make any magazine, gallery,
museum or institution genuinely proud. Here’s hoping
this is only the beginning.
—Anthony LaSala |