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Many of Michals' more elaborate sequence images are, of course, based on real incidents that have simmered in the subconscious and been processed through the photographer's imagination. "Chance Meeting," a six-image series shot in 1970 is one of those:
"I love the idea of passing somebody in the street and not being sure whether you knew them. There's kind of a moment of recognition where two people pass each other and after they're gone they turn around, and connect, but in this case the connection's too late," says Michals.
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He recalls the incident that triggered the series:
"I was walking down Broadway and I passed the guy up and he - and I thought, why do I know him? I had gone about a block and I realized, I think I was in the Army with him. I turned around, but he was gone. I base everything on that kind of an observation." 
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